Wednesday, 12 April 2017

twenty-seven word reviews of 'Britain in Focus' exhibition (Science & Media Museum, Bradford; with BBC4) and of photography collections by featured artists

Peter Mitchell, Mr and Mrs Hudson in Seacroft Green. Leeds, 1974. 

'Britain in Focus' (Science & Media Museum, Bradford) - absorbing, manageable (!) exhibition: Victorian pioneers (landscapes; tough industrial lives); Edwardians invented fun and donkey-rides, our grandparents read Picture Post, Jane Bown photographed the Beatles. Now we’ve Instagram.
(Exhibition open until 25th June 2017)

The Rural Dean of Stepney with some of his flock (1940s).

Bert Hardy's Britain, ed. Colin Wilkinson. Originally ‘fun’, Picture Post developed a humanitarian agenda during and after WWII. Hardy was a leading talent, photographing London blitz firefighters, Gorbals slum children, etc. Passionate; engaged.

John Bulmer, 'The North'Moving images (ha! Intentional pun) which also ‘back light’ two cultural moments – kitchen sink drama (1960s); punk (1970s). Text documents “worries North’ll keep us out of Europe.” 

Martin Parr, photograph from The Last Resort' 

Martin Parr, 'The Last Resort'. Foreword attempts rescue from charges of condescension; Parr was “humorous, fond”...? Unsure myself; this sometimes looks cold, distanced - laughter ‘at’, not ‘with’. Loved 'Boring Postcards' though.

Vanley Burke, Boys on a See-Saw. Handsworth Park, Birmingham, 1984.

'Britain in Focus: A Photographic History' (BBC4 series). Those books available to view at gallery - but associated BBC4 series also features Vanley Burke (British Afro-Carribean experience); Fay Godwin (politics of landscape), instagrammer Molly Boniface etc.

(Available online until 20th April 2017).

twenty-seven word review of Martin's Parr's 'Boring Postcards' (London: Phaidon, 1999)

Butlins, Filey; M6 motorway; Cross Gates Arndale Centre, Leeds. Boring’s a misnomer; these are 1950s/ early 1960s dreams of modernity and mass affluence. Literally hours of fun.

Saturday, 1 April 2017

twenty-seven word reviews of films watched during March 2017

Still the Enemy Within (2014, dir. Owen Gower) – documentary: how the 1984-5 U.K. miners’ strike was fought and policed; inspiring and moving; also discusses how ‘supportive others’ were mobilised – students, musicians, LGBT activists (seen ‘Pride’?).  

Scott Pilgrim vs the World (2011, dir. Edgar Wright)– witty, hyperactive, glorious mess;  references superhero comics, martial arts gaming, garage/ grunge music. I too became tough at vegan academy; dropped out though, completed pescaterian technical college.

The Student and Mr Henri (L’etudiante et M. Henri) (2015, dir. Ivan Calberac) –  charming, genuinely funny; the kind of intelligent, interestingly morally ambiguous, romantic comedy about grown-up people that you have to be French in order to make (it seems)

The Hundred Foot Journey (2014, dir. Lasse Hallstrom; starring Helen Mirren, Om Puri) –  rival restaurants; French countryside; pro-diversity message;  you’ll see this film’s denouement coming from a hundred miles away; good, heartwarming fun though. Who doesn’t enjoy watching food, TBH?

The Beatles: Eight Days a Week - The Touring Years (2016; dir. Ron Howard) – film about the Beatles live (Hamburg, Cavern Club, Shea Stadium), because whatever the hell happened between ‘Love Me Do’ and ‘Tomorrow Never Knows’ happened on tour; essential.

House of Mirth (2000; dir. Terence Davies; starring Gillian Anderson)  - original novel’s probably good; film felt like a somewhat routine costume drama, though; S. dozed; I kept forgetting who, whom; starts Austen-esque but ends up about drugs.

'Still the Enemy Within' and 'Scott Pilgrim' were the joint winners. 'The Student and Mr Henri' came third. 'House of Mirth' came last. It was several dozen times better than the worst film I've ever seen. 

Wednesday, 1 March 2017

twenty-seven word reviews of books read during January and February 2017

Ursula Le Guin’s Wizard of Earthsea“Not many girls,” say daughter. True – wizards are all boys, girls do housework. “Female author though; strong feminist by repute.” Discussion ensues. Both enjoyed but daughter preferred...

Diana Wynne Jones’s Howl’s Moving Castle. Bit chatty sometimes IMHO; daughter and I loved unexpected breakthrough from fantasy world into contemporary (1980s) Wales = ‘Wizard of Oz’ b&w to colour moment. Calcifer rocks.

Tessa Hadley’s Married Love. Short stories. Mutedness; unspoken conversations, unacted desires. One story: female undergraduate, 20 marries composer, 60; has babies. Choices cannot be unchosen; families comment, react; things work out.

Ashlee Vance’s Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future. Early torment in South Africa, braininess, 1980s tech, mobile phones, solar power, electric cars, moral compass. Bit driven; cold fish sometimes. Like Tony Stark but not. Enjoyed.

Viv Albertine's Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. Eventful narrative: childhood, punk (the Slits), cancer, suburban ‘afterwards’, comeback. Told through vignettes – like a concept album or song cycle.  Researching novella; protagonist= musician; bit stuck though.

John Piper, Desiring God: Meditations of a Christian Hedonist. Book-length elaboration of C.S. Lewis quote, “God finds our desires too weak...”; willed emotionlessness is Stoic, not Christian. Thought-provoking; ‘conservative’ (so you know); must read Pascal now.